Fischer, 97, of Carmel, IN passed away on Saturday, April 10, 2021. He was born October 24, 1923 in Tell City, IN to the late Norman G. And Adell (Meyenberg) Fischer. He grew up in Evansville, IN and graduated from F.J. Reitz High School in 1941. Norman Fischer is a poet, author, and Zen Buddhist teacher and priest. A graduate of the Iowa Writer’s Workshop, he has been publishing poetry since 1979. He is the author of seventeen books of poetry, six books of prose on Zen and religion, as well as numerous articles and essays. Norman Fischer quotes Showing 1-30 of 33. “Obviously it won’t do to love somebody and enjoy that person’s company but then, when things between you get difficult, to abandon the person. No, it is clear that as pleasant as love is, it must also be unpleasant, because people are sometimes unpleasant or go through unpleasant things, and if.
Norman Fischer has concertized on five continents and in 49 of the 50 United States. He was cellist with the Concord String Quartet through its 16-year career and winner of the Naumburg Chamber Music Award, two Grammy nominations and an Emmy. In over 1000 concerts the quartet performed 18 Bartok cycles, 36 Beethoven cycles and premiered 50 works. They also recorded 40 works for RCA Red Seal, Vox, Nonesuch and CRI. Mr. Fischer’s chamber music expertise has led to performances with the American, Audubon, Bair, Cavani, Chester, Chiara, Ciompi, Cleveland, Dover, Ensø, Emerson, Jasper, Juilliard, Mendelssohn and Schoenberg string quartets, Santa Fe Chamber Music Festival, Banff, Chamber Music International, Context (including a complete Beethoven piano trio cycle on period instruments), and Houston’s Da Camera Society. He has also served on many competition juries including the Paolo Borciani and Banff International string quartet competitions.
Mr. Fischer is the cellist with the Fischer Duo, a group with pianist Jeanne Kierman that was founded in 1971 and specializes in both the classical masterworks of Beethoven, Brahms and Schumann as well as music of our own time. They have over a dozen recordings. Most notable are: Imaginées: Music of French Masters, American Music in the 1990s, Complete Music for Cello and Piano of Chopin and Liszt, and Complete Cello Music of William Bolcom. The most recent album is Beethoven Cello and Piano Complete on the Centaur label that is the most comprehensive collection of Beethoven’s music for the two instruments. The Duo has premiered over 30 new scores by composers such as George Rochberg, Augusta Read Thomas, Robert Sirota, Pierre Jalbert, and Richard Wilson. They continue to actively perform throughout the United States and twice have served as Artistic Ambassadors for the USIA with tours to South America and South Africa.
Mr. Fischer continues to be committed to music for solo cello. His 1983 New York solo debut of the Bach Six Suites in one evening was hailed by New York Times critic John Rockwell as “inspiring”. During the 1994 season, Mr. Fischer’s recording of William Bolcom’s unaccompanied cello score was featured on Broadway as incidental music for Arthur Miller’s most recent play, Broken Glass. Mr. Fischer was honored by being invited to open the 1995 Tanglewood Music Center season with a performance of Henri Dutilleux’s Trois Strophes sur le nom Sacher, and during the 1996 Tanglewood season was similarly honored in presenting the world premiere of Mr. Bolcom’s Suite in C Minor He has performed the standard concerto classics with conductors such as Lukas Foss, Robert Spano, Larry Rachleff and Efrain Guigui. He has also championed new works for the genre, such as the Robert Sirota Cello Concerto (Tanglewood 1985), the Augusta Read Thomas Vigil (Cleveland Chamber Symphony, recorded on the GM label), Steven Stucky Voyages (recorded for Opus One in 1991), and Ross Lee Finney’s Narrative (with the Cleveland Chamber Symphony, recorded for New World Records).
Mr. Fischer is currently Herbert S. Autrey Professor of Cello and Director of Chamber Music at the Shepherd School of Music at Rice University in Houston. Before accepting this position in 1992 he held positions at Dartmouth College and the Oberlin Conservatory of Music. Mr. Fischer also holds the Charles E. Culpepper Foundation Master Teacher Chair at the Tanglewood Music Center, where he has been on the summer faculty since 1985. He is currently on the board of directors of Chamber Music America.
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Norman Fischer, Herbert S. Autrey Professor of Cello
About Norman
Norman Fischer is a poet, author, and Zen Buddhist teacher and priest. A graduate of the Iowa Writer’s Workshop, he has been publishing poetry since 1979. He is the author of seventeen books of poetry, six books of prose on Zen and religion, as well as numerous articles and essays. His most recent publication, Experience: Thinking, Writing, Language, and Religion, is a long-awaited collection of his essays about experimental writing as spiritual practice.
Norman has been a Zen Buddhist priest for nearly 30 years. He served as abbot for the San Francisco Zen Center from 1995 to 2000. Best finger pulse oximeter reviews. He is the spiritual director of the Everyday Zen Foundation, an organization dedicated to adapting Zen Buddhist teachings to Western culture, which he founded in 2001. One of the most highly respected contemporary Zen teachers in America, his Zen teaching is known for its eclecticism, openness, warmth, and common sense, and for his willingness to let go of everything, including Zen.
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PIX Support Page. For Norman's teaching schedule, recordings of his talks on Zen, and more, please see the Everyday Zen website.